I was around when Southern Rock first emerged, and, as was pointed out, it was a refreshing change from the disco that was all over the airwaves. Some of it, like Sweet Home Alabama, made me uncomfortable, but a lot of it moved rock music back toward the roots of the music. After a while, as is the case with any style of music, people began jumping on the bandwagon, copying the style without the substance and it became almost a parody of itself. Still, there was a lot of good music that came out of that trend.
Gary, you're super smart and I mean that sincerely. This and your previous post were just so spot on.
I also believe that Sweet Home Alabama as a song, while a tongue and cheek swipe at Neil for Southern Man, speaks to part of our nation that so many of us underestimated. It appealed and continues to resonate to a group within the U.S. that embraced/es the hate being spewed either overtly (e.g.: Trump) or subtly(e.g. the likes of Thurmond, McConnell, and others that kept and keep getting re-elected) by conservative politicians and pundits. It helped keep (or possibly rekindled) a regional pride going and the particular region has a horribly dark side to it. And as we now know, many have never let go of the dark hatred (no pun intended) and in fact spread it to their children and grand children.
People don't necessarily realize how embedded things have become within themselves. Tom Petty was feeling that southern pride when he and the band wrote the Southern Accents album. Even the outside or co-write of Don't Come Around Here No More had a different connotation for different folks in this country...basically regionally, and not just the south. Tom talked about it years ago that he regretted dancing with the rebel flag and seeing so many folks coming to his shows with the flag on hats, shirts, jackets, belt buckles, etc. In so many words he admitted that he had a myopic view of these symbols and was not raise to view them as symbols of hate, but said it was clear that were and are.
But as has been mentioned, southern rock and country music seem to speak to a certain amount of people throughout this country in a way that supports their hatred of that which is different from them. White people in particular. But as you state, we can't generalize that to mean that if you like these musics you are this type of person. Exactly as you point out that being a fan, creator, buyer, seller, etc. of rap/hip-hop does not make one a gangbanger and certainly doesn't require you to be black and hateful of white people...even though some folks want to see things.
Back to Sweet Home Alabama. I believe it is harmonically and melodically one of the great rock tunes ever written. Lyrically, however, it speaks to aspects of southern American culture, but more broadly
rural American culture, that are part of the worst of our history and sadly our present.
Using the wiki-list (whether the artist belongs there or not): The Allmans, Widespread Panic, Alabama Shakes, the Avett Bros, the Black Crowes, Canned Heat, the Fabulous T-Birds, Little Feat, JJ Cale, Leon Russell, the Subdudes, and a whole lot more have never lyrically or publicly made any allusions towards anything that would lead their fans to associate their music with small-minded bigotry. It's just some great music. But lyrics can just be bad, speak to great universal truths, speak to horrible historical and living truths, and more.
I'm rambling and don't expect anyone to have read this.
Good day sirs.
I said GOOD DAY!