Problem

mystixboi1

Kick Henry Jackassowski
I realize this weekend a problem that I have… For the last few years, I’ve getting so many guitars before that I never got to fully enjoy any single one or never really became one with the instrument. Does that make sense? I was listening to a podcast of Guthrie Govan. He could pretty much coax any guitar sound out of his signature model Charvel. I’ve been spending time with one guitar learning all of the in between tones and using the volume and tone knobs to achieve different tones. It was pretty liberating being able to use a semi-dirty Friedman tone on my hx but use the guitar to go from pretty damn clean to full on dirt.

Anyone ever go through that?
 
I realize this weekend a problem that I have… For the last few years, I’ve getting so many guitars before that I never got to fully enjoy any single one or never really became one with the instrument. Does that make sense? I was listening to a podcast of Guthrie Govan. He could pretty much coax any guitar sound out of his signature model Charvel. I’ve been spending time with one guitar learning all of the in between tones and using the volume and tone knobs to achieve different tones. It was pretty liberating being able to use a semi-dirty Friedman tone on my hx but use the guitar to go from pretty damn clean to full on dirt.

Anyone ever go through that?
20 years ago.
 
20200509_131129-jpg.80472
 
I think I've been seen and reading your post, here and there, since 2006. It's never to late for help and I'm glad you've shared this moment. We're here brother.
 
I've been through that only with amps. About 15 or 20 years ago I had so much money tied up in amps it was ridiculous. An Allessadro English, Bloodhound, Fender Vibro King, Blackface Delux Rev from '66, '72 Metal panel Marshall Superlead, several Mesa Marks. But I only had 4 electric guitars. Finally it dawned on me this was a problem and I sold them all.

edit: I forgot to mention the 50 watt Hiwatt head...
 
My main motivation is playing live, either on gigs or picking sessions. I want a guitar I know, and I want to know where everything is on it. I've got a few extra guitars to duck around on our for special effects, but pretty much just the one.
 
back in college after a not so good show the bassist basically told me to stop buying gear and just really learn what i had inside and out. made a pretty big impact on me moving forward. i'm not saying i followed his advice 100% of the time but i def think about that conversation a lot.
 
I have been down to one electric since my divorce when I had to sell my other one (5 1/2 years ago). So yeah - I am there. I am seriously considering getting a second guitar when I receive my severance package (provided a new job comes along quickly), but I know exactly what I want from the second one that mine does not provide.
 
When I moved out of state and was in grad school and then moved back to Chicago, I only had one electric—my Rev Flatroc. I used it for everything and coaxed all sorts of tones out of it but eventually just got tired of it and wanted a change. This was around 2014 and I’ve been on a bit of gear carousel since. But I’ve learned a bit about what I actually dig.

Given how much you’ve posted about buying, selling, and basically rebuying the same general type of instrument, I think you’re doing retail therapy vs. really pursuing a tone/vibe/whatever.

Guitars are tools and sometimes the job they have to do is frivolous stuff like looking good or making you feel confident/inspired when performing. I’m a firm believer in the notion that a new guitar can kickstart ideas or change an approach in a way or signal a different vibe for a band/project/whatever.

I would like to be a one electric person in theory, but given what I do which is splitting time between recording and playing live, I find it easier to have a couple things.

I have a strat because that’s sort of a home base guitar sound and every time I don’t have a strat, I find myself strat shopping. They’re easy to flip and replace because people dig them and there’s a million strats so...

I have a Godin hollowbody that is mostly a gigging guitar. I perform as a singer/songwriter and this is a good difference splitting option for playing out and it is an attractive prop. I like it and it does the job, but I could easily imagine a world where I don’t own it.

I have two Tele-shaped objects—one a G&L in the Keef configuration which is a great Swiss Army knife. And I just got a Cabronita which is simply a joy to play. I could probably live with just one of the two, but they play differently and I like having the options when recording.

So yeah, if I had to...I could launch most of these six strings and probably hang on to one of the Teles. I’m currently more partial to the Cabronita. I do tend to sell and replace vs. stockpiling...and I’ve been trying out some different stuff over the last few years and swapping out gear as I change projects/start a new album. But I kind of make it a point to get something out of gear that I’ve owned before I move it along. Maybe you should challenge yourself to write and record a song using a guitar before you consider flipping it or shopping for a new one?
 
Last edited:
I struggle with this. I think Flamencology is right. I’m getting better but I still think I have a problem.
 
I just have my one electric. It doesn't do everything I want, but it get's pretty damn close. If I wanted another guitar, It would have to be something with a pair of humbuckers. Thing is, I really haven't picked up the Strat in almost a year. Seems that I just pick up the Takamine.
 
I definitely have a problem, but I also have moments of clarity. I’ve been purging like crazy the past few weeks. I will relapse, but as long as I purge every couple years I think it’s cool. It’s a fun hobby. Playing is too.
 
I realize this weekend a problem that I have… For the last few years, I’ve getting so many guitars before that I never got to fully enjoy any single one or never really became one with the instrument. Does that make sense? I was listening to a podcast of Guthrie Govan. He could pretty much coax any guitar sound out of his signature model Charvel. I’ve been spending time with one guitar learning all of the in between tones and using the volume and tone knobs to achieve different tones. It was pretty liberating being able to use a semi-dirty Friedman tone on my hx but use the guitar to go from pretty damn clean to full on dirt.

Anyone ever go through that?

And, you’ve got font issues. Wtf
 
Back
Top