I'm surprisingly happy with the unit, and part of that is the realization that even the things that I am not in love with are improving over time. I have two shows this weekend that I'm using it for and one of them is Sunday afternoon at the Long Beach Grand Prix where the load in will be marvelous with just my guitar, rolling case for the FM3 and guitar supplies and my wedge. Saturday night is back to the Blue Beet where I am in a familiar environment.That is sounding damn good.

Yeah...you can manipulate things on a very granular level. You can even chose diodes for the drive pedals.OH!!! and you can choose the tube type. Nice. That reminds me of Guitarix which is a virtual amp for Linux.
It can be any sized rabbit hole you want to deal with. Stay on the top level of each block and you can get good sounds. Want more? keep digging!rut ro rorge
Hehe. What are you doing with it so far?Oh my. This is a bonkers piece of gear.
Are you trying the factory presets?I am just going through the options and trying to understand how it's organized and structured. It is surprisingly intuitive yet uber complicated and unfamiliar at the same time. This is not plug and play. I can't get it to work going into an amp yet. I am sure it is just a setting somewhere I haven't checked. This thing can do A LOT!!
Lol. I wasn't "distracted" as much as trying to get to the sounds I need on the fly since there are no set lists or preset orders with that band. If I had one of the other Fractal devices that allowed multiple amp and cab blocks life would be much easier since 90% of my sounds are either fender clean with a Marshall-style crunch or now some sort of Vox class A tone with the Morgan AC20 model. Most of my needs could be met on one or two presets if I had an FM9. Since only one amp and cab block is usable at a time on the FM 3 each of my presets is based around one amp at a time...although, I could probably run a preset with 4 scenes of one amp on a channel and 4 scenes of another so I'd have clean, rhythm crunch, lead and maybe one modulation as a "catch many" preset. That might be kind of cool.I can see it being hard to remember anything.
GX-100 has two amps per preset with seamless switching between the two, as well as more available blocks than you can shake a stick at.Lol. I wasn't "distracted" as much as trying to get to the sounds I need on the fly since there are no set lists or preset orders with that band. If I had one of the other Fractal devices that allowed multiple amp and cab blocks life would be much easier since 90% of my sounds are either fender clean with a Marshall-style crunch or now some sort of Vox class A tone with the Morgan AC20 model. Most of my needs could be met on one or two presets if I had an FM9. Since only one amp and cab block is usable at a time on the FM 3 each of my presets is based around one amp at a time...although, I could probably run a preset with 4 scenes of one amp on a channel and 4 scenes of another so I'd have clean, rhythm crunch, lead and maybe one modulation as a "catch many" preset. That might be kind of cool.

Pretty much every other device on the market has that, other than the FM3 as far as I can tell. It's really my only complaint about this thing. It sounded pretty glorious on the big stage yesterday, though. I'll definitely be upgrading when I can because of this one issue but even the sound guy (who is a Helix user in his own band) was really impressed with the sounds that I was getting. He had some good advice for me as far as using it live, too.GX-100 has two amps per preset with seamless switching between the two, as well as more available blocks than you can shake a stick at.
Just saying.
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