Why? ???
Just my opinion. If you want to play a gig with a tuner clipped to the headstock the whole time, be my guest.
Why? ???
If Bon were still alive I bet he could still sing it...lol!Just my opinion. If you want to play a gig with a tuner clipped to the headstock the whole time, be my guest.

No kidding. Bash one drunk and your Snark is skittering across the floor only to find its fate is looking up a 50 year old barfly's dress for eternity.
Poor little Snark. :(

Just my opinion. If you want to play a gig with a tuner clipped to the headstock the whole time, be my guest.
Knowing how little the general audience thinks of such things, it really makes no difference to me what the chorus of guitar nerds thinks.

I agree. I just won't do it myself. Let others so what they will.![]()

As a folk singer, they are pretty much expected. Much of folk music is first-position strumming, so you want the open chords. The first capo I owned was a massive piece of metal. My mother always said it looked like a gynecological instrument.
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Over the years, I have used just about every capo ever made, but always revert to the Shubb.
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Keith Richards, David Rawlings, Richard Thompson, Buck Dharma and a bazillion others all use capos. No shame in it at all, and there's some really neat color to be found if you're trying to compliment a second guitarist.
I used a Shubb for years and still have one but more recently I've switched to a G7.
On the extremely rare occasion I play banjo, it's almost always capo'd, because my only banjo is a long-neck (speaking of Seeger), and I use the capo to bring the banjo up to standard G tuning.