HNGD!!!!

mystixboi1

mystixboi1

Kick Henry Jackassowski
i got this puppy for $100 with case... in mint condition!!!! It's not too bad... not the best classical I've played, but sounds and feels pretty great!!!

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The Lucero LC 200CE Cutaway Acoustic-Electric Classical Guitar is a pleasure to look at and to play. It features a laminated spruce top and mahogany back and sides. The cutaway allows full fingerboard access and the built-in electronics let you perform in any venue. The LC200CE is a very versatile and affordable guitar.
With our Guaranteed Lowest Price, you can be assured of complete satisfaction and the lowest available price, or your money back!
Lucero Cutaway Acoustic/Electric Classical Guitar Features:

* Body Style: Cutaway Classical
* Top: Laminated Spruce
* Back: Mahogany
* Sides: Mahogany
* Neck: Mahogany
* Fingerboard: Rosewood
* Bridge: Rosewood
* Scale Length: 25-1/2"
* No. of Frets: 18
* Nut width: 1-15/16"
* Neck width at body: 2-5/16"
* String Spacing at Saddle E-E: 2-5/16"
* Binding: Black with white purfling
* Tuners: Chrome Slotted Head Open-Gear
* Rosette: Classic
* Fingerboard inlays: none
* Width at Upper Bout: 11-1/2"
* Width at Lower Bout: 14 3/4"
* Maximum Depth: 4-1/8"
* Finish: Natural Gloss
* Electronics: Under the Saddle Piezo Pickup, Preamp with ±: 10dB passive EQ and Volume Sliders
 
mystixboi1 said:
don't judge... it's comfortable:grin:
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Having the technique to play on the upper portion of an acoustic guitar neck is definitely a point of pride.

In terms of timbre, I think the impact of a cutaway is much more severe and drastic with nylon strings, for whatever reason.
 
Help!I'maRock! said:
don't worry John, he wouldn't like my classical either. it has side dots. and it's Canadian.
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La Patrie, presumably?

They're about as good as you're going to get in that price range, with the exception of Yamaha.

They do things that I don't like, but there it is.
 
Flamencology said:
In terms of timbre, I think the impact of a cutaway is much more severe and drastic with nylon strings, for whatever reason.
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I don't like cutaways on either steel or nylon strings at all. I'm also not a fan of guitars with onboard preamps and stuff but thats probably just me getting all "TGP" :embarrassed:
 
Hey John, if it plays good enough for you, and sounds good enough for you, awesome :cool: Especially for 100 bucks :grin:

Happy New Guitar Day! :thu:
 
Mark Wein said:
I don't like cutaways on either steel or nylon strings at all. I'm also not a fan of guitars with onboard preamps and stuff but thats probably just me getting all "TGP" :embarrassed:
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I am so glad I am not alone. :helper:

There is something about the look of the acoustic cutaway and the controls on an acoustic guitar that turns me off. I am also not a fan of the plugged-in sound. I had the chance to buy a Luna 12-string that would have been a nice match for my 6-string, but the cutaway and electronics were a dealbreaker for me. I know it is foolish, but we all have our hangups. :tongue:
 
Gary Blanchard said:
I am so glad I am not alone. :helper:

There is something about the look of the acoustic cutaway and the controls on an acoustic guitar that turns me off. I am also not a fan of the plugged-in sound. I had the chance to buy a Luna 12-string that would have been a nice match for my 6-string, but the cutaway and electronics were a dealbreaker for me. I know it is foolish, but we all have our hangups. :tongue:
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My thing is that I typically don't like the sound of a guitar with a cutaway, and I'd rather they not remove another chunk of wood or use a laminate for the side of the guitar to put the controls in.

If I was playing acoustic guitar with a band the tone is usually wrecked by the PA/soundman/volume levels anyway so it wouldn't really matter as much but for a guitar that I would record or just play for my own enjoyment it really does matter to me.
 
I have an acoustic guitar with electronics in it that I use for gigs, and a beat to shit plywood 'guitar' that I mic for recording. When recording, there's really no reason not to mic an acoustic, but if it's a live guitar, I'd rather have onboard electronics.
 
Prages said:
I have an acoustic guitar with electronics in it that I use for gigs, and a beat to shit plywood 'guitar' that I mic for recording. When recording, there's really no reason not to mic an acoustic, but if it's a live guitar, I'd rather have onboard electronics.
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For my gigs, I find the mic works just as well. I am doing original and traditional music in coffeehouse-like settings. Also, since I switch between the banjo and guitar I need a mic anyway.

I don't mind the electronics for the singer/songwriter type of thing but I hate that sound for folk music. I'm an old fogey purist, I guess. :facepalm:
 
Gary Blanchard said:
For my gigs, I find the mic works just as well. I am doing original and traditional music in coffeehouse-like settings. Also, since I switch between the banjo and guitar I need a mic anyway.

I don't mind the electronics for the singer/songwriter type of thing but I hate that sound for folk music. I'm an old fogey purist, I guess. :facepalm:
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If I have to do it it's usually too loud for a mic unfortunately....:)
 
Not that long ago, when I was flirting with electric music, I played a Fender Telecoustic and loved that for the music I was playing. I've owned other A/Es as well. Since I have never heard a banjo with a pickup that sounds like a banjo a mic is needed. Like I say, my gigs tend to be quiter so I don't have the need for the volume a pickup provides.
 
Mark Wein said:
I don't like cutaways on either steel or nylon strings at all. I'm also not a fan of guitars with onboard preamps and stuff but thats probably just me getting all "TGP" :embarrassed:
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Haha, TGP done been adjectivized.

And yes it is you being that.

Congrats John!

Rivals my recent $100 acoustic-electric purchase.

Except yours doesn't have a drawing of Esteban on the back, I'm guessing.
 
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