True, but this is just stupid.Most cover bands have dumb playlists. At least the ones I was in did.
The worse part is the instrumentation is way off. Three guitar players, one of whom only plays acoustic, the other is a good keyboard player (working making that permanent) and nether one can play anything other than open position chords. They don't understand dynamics, or how to change up they parts they are playing. Just full steam strumming all the time. For the first few nights, they would look at me to see where I was and get all screwed up because they thought I was playing the wrong chords because I'm playing triads or chord inversions up the neck. It's been pretty interesting.
We did better at Pragestock.This seems like every band I’ve been in. It’s like every song is one big full volume sausage.
I could have done it all with the Tele. I really just brought the other guitar for my own entertainment while doing Stray Cat Strut, I was the only guitar one that one.I can do a whole cover gig with a double humbucker guitar. Les Paul, McFeely, PRS. The single coils only get the first half of the night done and not at all in some rooms with bad power. The PRS actually has thin enough sounding humbuckers and coil splits so that works well for the first set too.
True, but this is just stupid.
Song list has anything from Mary Jane's Last Dance to Going Down to the River by Dougs Seegars. That one makes me want to jump off of a bridge.
The worse part is the instrumentation is way off. Three guitar players, one of whom only plays acoustic, the other is a good keyboard player (working making that permanent) and nether one can play anything other than open position chords. They don't understand dynamics, or how to change up they parts they are playing. Just full steam strumming all the time. For the first few nights, they would look at me to see where I was and get all screwed up because they thought I was playing the wrong chords because I'm playing triads or chord inversions up the neck. It's been pretty interesting.
Humorously, they think I'm some sort of guitar hero because I can play leads and improvise a bit. It's not really an ideal situation for me, I would rather be the worse guy in the room, and learn. But it's a regular night to play with a full band outside of my regular blues jam rotation.
I know right. I went from can’t get me to play to can’t get me to stop.Sounds like a mess, but good for you. To think you are the main guitar player in the band. I think you were even more reserved than me at Pragestock, playing wise. That's awesome.


True, but this is just stupid.
Song list has anything from Mary Jane's Last Dance to Going Down to the River by Dougs Seegars. That one makes me want to jump off of a bridge.
The worse part is the instrumentation is way off. Three guitar players, one of whom only plays acoustic, the other is a good keyboard player (working making that permanent) and nether one can play anything other than open position chords. They don't understand dynamics, or how to change up they parts they are playing. Just full steam strumming all the time. For the first few nights, they would look at me to see where I was and get all screwed up because they thought I was playing the wrong chords because I'm playing triads or chord inversions up the neck. It's been pretty interesting.
Humorously, they think I'm some sort of guitar hero because I can play leads and improvise a bit. It's not really an ideal situation for me, I would rather be the worse guy in the room, and learn. But it's a regular night to play with a full band outside of my regular blues jam rotation.
Thanks Randy!Chock it up for the level of play for this band. Very cool that you have recognized the level of play as this will be your biggest challenge in finding the right players to play with. Sounds like some of the blues jams that I attend. All depends on the quality of the player. The better the player, the more they understand about dynamics. These guitarists that you are playing with may be struggling to just play chords within songs so anything else is a struggle.
You may need to find another band or stay with them to hone some of your own skills. If you choose to look for another project, you can still play with them during the interim and when it is time to depart, let them know that this project was not right for you.
But that is good! It feels great to be on top at times and now up to you to seek players better than you to help you grow. What you may have already found is that this may not be the right band for you. Keep in touch with the keyboardist and maybe you both could do a side project.
Thanks Randy!
I’m lucky that our blues jams are actually really good. I’m very much out of my league there, but I try to stay out of the way, keep any solos short and look for complementary parts to play. So far so good. They are very nice to me and get me up to play every time so far. I also got invited to play the private jam with some really great players. So I really look forward to jam nights.
That red guitar is HOT!!!
Regarding the set list, I feel like if each member brings a list of songs they dig, and at least a few from each list are used, and then combined with some crowd favorites, each member of the band has to like 25 to 50 percent of the set list. If that isn't accurate, then somebody is just playing for the money.![]()
Thanks! It’s the Greg Koch Gristlemaster! The Fishman pickups are crazy good.That red guitar is HOT!!!
Regarding the set list, I feel like if each member brings a list of songs they dig, and at least a few from each list are used, and then combined with some crowd favorites, each member of the band has to like 25 to 50 percent of the set list. If that isn't accurate, then somebody is just playing for the money.![]()