Good question. I don't wear shoes in the house because reasons, but I need a shoe to push the pedals consistently. It's especially important when I'm pressing down two pedals at the same time. Bare feet are just too uneven.What's up with the single shoe?
So, it’s a dedicated-purpose shoe?
I need to find a use case for that.
Can you please wait a few weeks? We still have a few folks insisting James Wilsey used Pod Farm for some tracks on El Dorado so we can't handle more shit right now.We should ask TGP if there’s a special vintage tone shoe that has special mojo properties and then sell fancy replicas and clones of that shoe for a bundle.
Correct. I got a 2nd pair of my usual shoes, so these are still clean. Some day they might become outside shoes, but got now one stays in the closet and the other with the steel guitar.So, it’s a dedicated-purpose shoe?
I need to find a use case for that.
There is a lukewarm controversy about shoes versus boots. Not TGP-level serious, but it comes up. Sometimes band leaders want the steel players to wear boots to look the part, but boots are very impractical for multiple reasons. The high heel, pointy toe, and stiff ankle just don't work well.We should ask TGP if there’s a special vintage tone shoe that has special mojo properties and then sell fancy replicas and clones of that shoe for a bundle.
They curve around the top, and the ball end tucks into a slot at the bottom of the bridge roller. Sometimes they go in easily, and about half the time I have to help them in with a small screwdriver.How are the strings fit into the tailpiece on that?
I played with a pedal steel player for 8 years who always wore white high tops to the gigs. We gave him a hard time all the time about it. He said he couldnt play in boots so the suggestion was made to put a curtain around the steel but he said no because “some people who come to the gigs want to watch my feet.” He was/is a great guy. I haven’t seen him in years. I miss him.There is a lukewarm controversy about shoes versus boots. Not TGP-level serious, but it comes up. Sometimes band leaders want the steel players to wear boots to look the part, but boots are very impractical for multiple reasons. The high heel, pointy toe, and stiff ankle just don't work well.
Do you have any videos of his feet?I played with a pedal steel player for 8 years who always wore white high tops to the gigs. We gave him a hard time all the time about it. He said he couldnt play in boots so the suggestion was made to put a curtain around the steel but he said no because “some people who come to the gigs want to watch my feet.” He was/is a great guy. I haven’t seen him in years. I miss him.
Do you have any videos of his feet?
They are on onlyfans now: louiemanofsteelDo you have any videos of his feet?
Ha. Yeah, I agree watching the feet adds to the experience. It helps the audience understand how many things are going on to make those cool sounds. I catch a lot of people watching my feet while I play.I played with a pedal steel player for 8 years who always wore white high tops to the gigs. We gave him a hard time all the time about it. He said he couldnt play in boots so the suggestion was made to put a curtain around the steel but he said no because “some people who come to the gigs want to watch my feet.” He was/is a great guy. I haven’t seen him in years. I miss him.
That's cool. I'm assuming he was playing on the C6 neck. I'm just doing E9 mostly. I listen to a lot of guys doing jazz on the C6 but haven't jumped into it yet. You've probably heard of Buddy Emmons, but he's the man.Anyone that can play steel has my respect. That is a hell of an instrument. There was a guy at North Texas that could play fast tempo be-bop on steel...weirdest sound you ever heard.
It has to be an actual real bone from the real body of JC to achieve the coveted “tone for days”.What is the nut material? I read on TGP that anything other than a genuine bone nut will make the baby Jesus wail in deep sorrow.