When we re-watched it at home, it really struck me how much they used the template from Amadeus.
It begins with the unreliable narrator, likely on his death bed, that tells a story that may be riddled with inaccuracies, which personally helps keep me in a movie when the script takes artistic license or such... the narrator is telling the story the way they WANT you to hear it, even if they're mis-remembering or purposefully changing the order or importance of events.
Then you have the narrator manipulating the protagonist to benefit themselves, and struggling with their front-row-seat when there are moments of genius, and when there is strife that was arguably brought on because of the narrator's involvement.
But when you get to the Vegas show and Elvis is arranging the show to create that other-worldly feeling from their own past.... I'd have to research how much hands-on involvement Elvis really did do with music at that point in his career versus a really good band director or producer being brought on board, but it was damn near IDENTICAL to Wolfgang writing his Requium.
Once you get to the point where the protagonist is destroying their personal life and health, and ultimately succumbs... the similarities hit me even more than in the theatre.
It was still an enjoyable watch. The Austin kid does an impressive job and commands the screen really well for it being his first big movie. I tell people it's NOT a biography or whatever because of the inaccuracies and glossing over huge parts of the timeline to create a seamless narrative... but it makes a good popcorn flick if you've already seen Top Gun Maverick.
