That's so weird... I seriously cannot think of what PRS had a V neck... A Vernon Reid Vela maybe?
There used to be two different depths and two different widths that would combine to make Standard, Wide Thin, Wide Fat... and then the DGT was it's own carve to Grissom's specs... more strat like than the WideFat but more depth than the standard.
Now it seems that there are many more signature carves... and then the S2 and SE variations of those carves.... there's probaby 15-20 different neck carves now. My 594 is beefier than any of the WideFats I've owned, but it might be a smidge narrower and the shorter scale length makes it very slinky and easy to play.
Every brand has their pros and cons.... I'm not down with some of the crazy tops and matching price tags on some of the core models... but PRS definitely has consistent, repeatable quality, stays in tune better than most other makes out there (honestly even some of my floyds can be a little more fidgety than some of my PRS) and they hold their value.
I get the looks/vibe thing.... I keep trying to move away from the PRS stuff because I like the vibe of some other instruments, but then I run into some of the other issues mentioned above and come crawling back to Paul like I'm a teen that wrecked his car.
"Sorry Paul... you were right... I know you need to chaperone my next gig now.."